1990
Total Recall
1995
La cité des enfants perdus
1997
Men in Black
The Fifth Element
1998
The Truman Show
Dark City
1999
Being John Malkovich
Galaxy Quest
The Iron Giant
Aeon Flux
The Matrix
2000
Pitch Black
The Cell
2001
Donnie Darko
2002
Minority Report
2005
Serenity

Fave Sci-fi Films 1990–2004

rating legend
++must-see
+good but flawed
OKinteresting but not for everybody
-very flawed, some redeeming features

The Truman Show

1998

++ cool paranoid

La cité des enfants perdus

1995

++ beautifully surreal french

Being John Malkovich

1999

++

Galaxy Quest

1999

++ spoof

Men in Black

1997

++ spoof

The Iron Giant

1999

+ v. good animated

Total Recall

1990

+ paranoid action; regrettable ending

Aeon Flux

1999-2001 series

+ animated ultra-violence

The Matrix

1999

OK Sci-fi drama

Pitch Black

2000

OK for low-budget scary

Minority Report

2002

OK action, paranoid

The Cell

2000

OK violent psycho scifi

Dark City

1998

OK political/psycho

Donnie Darko

2001

OK time-travel, psycho

The Fifth Element

1997

- Fantastic ideas, senery mixed with questionable plot and endless stupid fight scenes

Serenity

Universal 2005

Nathan Fillion Captain Malcolm Reynolds
Summer Glau River Tam
Adam Baldwin Jayne
Gina Torres Zoë
Alan Tudyk Wash
Sean Maher Simon
Jewel Staite Kaylee
Ron Glass
Detective Harris in “Barney Miller”
Book
Morena Baccarin Inarah
David Krumholtz Mr. Universe
Chiwetel Ejiofor The Operative

Writer/Director Joss Whedon

Based on the short-run Fox TV series Firefly, aired in 2002. I saw several episodes, and loved them, but never met another person who had seen one.

Date 2500

More space ships than you can shake a blaster at.

This is a very beautiful portrayal of futuristic worlds. The character development is superb, and the characters are great. The dialog is a blast, done in a variety of dialects, from a Westernesque twang of the outer planets to the sophisticated silk of the inner planets. Then the special effects... We don’t often see space scenes so carefully crafted in such movies. The starkness of light and shadow (absent in Star Wars. e.g.).

I have one main plot complaint. The mystery girl “River” is a profound psychic: OK, that’s standard SF fare. But she’s also a super kung-fu fighting machine who beats up whole battalions of heavily armed soldiers. Why not give her a whole whack more magical powers? I think the character would have been far more believable with just the single special power, thank you. Even that one was unnecessary for the plot: the bad guys want her, primarily, it turns out, for a bit of knowledge she might have. She didn’t need to be a super-girl to have that. Oh well. Not my movie.